The Lindsay Lohan vehicle (heh) is hardly the best of the live-action films that Disney made around the year 2000, but it’s charming enough to make you nostalgic for a time when the Mouse House still tried to make the kind of non-animated kids fare that millennials tend to hold near to their hearts (“The Princess Diaries,” the Jamie Lee Curtis remake of “Freaky Friday,” etc.). And so, without a “Turning Red” to make things obvious, our pick of the month is… “Herbie: Fully Loaded?” Sure. Angela Robinson, 2005)ĭisney Plus’ anemic April film slate is frustratingly typical of the deep-pocketed streamer, which continues to use blockbuster releases from the likes of Marvel and Pixar to obscure the fact that it has little else to offer subscribers in the way of original content (and its arbitrary rotation of library fare from the “Disney Vault” tends to reek of manufactured scarcity). – “The Blues Accordin’ to Lightnin’ Hopkins” (4/1) It’s a thrill to see Justin Lin’s “Better Luck Tomorrow” placed in a more illuminating context than just “the indie movie he made before steering the ‘Fast & Furious’ franchise out of oblivion,” and that scrappy thriller is joined by the likes of So Yong Kim’s poetically drifting “In Between Days,” Alice Wu’s delightful lesbian rom-com “Saving Face,” and a host of other movies that recast (and transform) familiar genre tropes through the multi-faceted prisms of the Asian-American experience. Freedom” to Chantal Akerman’s effervescent musical “Golden Eighties.” The “Beyond Blaxploitation” series ranges from canonical classics like “Sweet Sweetback’s Baadasssss Song” to more under-the-radar treasures like the Max Julien Western “Thomasine & Bushrod” (a near-constant fixture on the Channel), while the latest installment of the “Adventures in Moviegoing” series invites Ethan Hawke to walk us through some of his personal favorites (a very on-brand selection that includes Cassavetes, Chaplin, and Les Blank’s “The Blues Accordin’ to Lightnin’ Hopkins”).īut the biggest draw of the Channel’s April slate belongs to more recent fare, particularly as it’s framed by Brian Hu and Chi-hui Yang’s diverse and robust package devoted to the Asian-American cinema of 2000–2009. The vast array of vintage selections are highlighted by an 18-film retrospective devoted to the great actress and filmmaker Delphine Seyrig, whose iconic performance in “Jeanne Dielman” is joined here by her equally memorable work in everything from William Klein’s bonkers satire “Mr. Of course, that’s true of most months on the Criterion Channel, but rarely is the programming roster so evenly balanced across both sides of the 21st-century divide. The Criterion Collection has always prided itself on presenting essential classic and contemporary cinema, and its streaming platform’s April slate makes good on that promise on both fronts.
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